Software engineer (video games). Likes dogs, DJing + EDM, running, electronics and loud bangs in Reservoir.
The “complicated” Fediverse signup process is actually the perfect filter. If someone isn’t willing to learn such a trivial process to gain access to an open decentralized discussion platform, then they really only have themselves to blame when they keep ending up in enshittified algorithmically-manipulated echo chambers.
The official Python tutorial is very well written and is suitable for total beginners:
I think it’s a step in the right direction, though it will be interesting to see where the boundaries are drawn. Does YouTube count? What about gaming platforms like Roblox and Fortnite?
Edit: On further reading about this, I’m changing my mind. I can’t see how this would be implemented effectively without some kind of age verification. Unless it’s a meaningless Steam-style “What’s your birthday?” question, that makes it far more troublesome for everyone’s privacy. I can’t see how it would get off the ground after so many Australians have had their data stolen already.
Piracy is a service problem.
Late-stage capitalism (specifically public companies) are rather incompatible with singleplayer or “one-off” games that don’t have a long revenue tail of a live season or multiple DLCs/expansions. That really sucks for the whole games industry, players and developers alike.
I enjoyed his character in The Voices. Admittedly still a comedy, but a good performance from him that was something a little different.
It’ll be interesting to see how this looks. The same technology was used in Alien: Romulus to revive a younger Ian Holm’s likeness for Rook, and while it was a cool tech demo, it still felt quite uncanny valley and distracting to watch. Casting another actor might have been a better choice. At least for this project the tech sounds more relevant, in that they’re deaging and aging characters within the same film.
I’ve already installed Arch on a spare laptop to assess the difficulty of switching over. So far I’m very impressed!
arch-install made the setup pretty easy, and KDE Plasma feels very natural for someone migrating from Windows. Flatpaks make installing/updating apps a breeze, and there’s way more apps available than I expected, including commercial ones like Spotify.
Most of the “muscle memory” habits translate across too, for example pressing Meta and typing “notepad” shows KWrite in the start menu. That was a nice surprise.
I can already tell it’s going to be viable for 90% of my needs, and the fact that there’s good free software to do everything from video editing to office tasks is really amazing. Linux desktop has come a LONG way.
Tech bros reinventing things poorly… a tale as old as time.
And yet Fallout: London - a community-made singleplayer experience - just hit 1 million players. It feels like there’s a huge mismatch between what many players want and what public game companies are chasing… they’re all going after online MTX and completely discounting singleplayer because it makes less money overall.
This reminds me of the time the Zoom CEO announced he wanted employees back in the office because remote work wasn’t as effective. It’s easy to assume the people running these companies are competent…
I remember installing a keylogger on the school library computers, then “accidentally” disconnecting the dialup internet and asking the teacher to type the login credentials again. I bet the ISP was confused when they saw so many concurrent logins after hours, all playing Quake and downloading huge files.
C/C++ still has a huge place in firmware, microcontrollers, operating systems, drivers, application development, video games, real-time systems and so on. It’s a totally different space of programming to webdev, which might explain the surprise.
Sometimes the real value of a project isn’t its proposed worth, but the schadenfreude it offers instead. I’ve backed a few failed Kickstarters that I absolutely got my money’s worth on.
It’s just such an odd thing to remake. The old version still held up fine and can be played on PS4 or PS5, plus plenty of people would have gotten it for free with PS Plus. They must have really been banking on the PC platform selling well for all that effort.
If you’re concerned about privacy I don’t know why you’d use Tailscale over Wireguard directly. The latter is slightly more fiddly to configure, but you only do it once and there’s no cloud middleman involved, just your devices talking directly to each other.
Pretty massive screw up from the marketing team involved. To try and sell a hero shooter for $40 upfront from an unknown dev studio in a crowded market of free-to-play hero shooters is pretty risky. Even Overwatch 2 saw the writing on the wall and went F2P.
Never say never! I worked on the original Dead Space (2008). There’s a minigame in chapter 4 where you have to defend the ship’s hull from incoming asteroids by shooting them with a cannon. On completion of the challenge, there’s some explanation as to why the cannon’s auto-targetting system is back online and you can leave the minigame and the cannon automatically continues shooting asteroids as you wander off. While I was rummaging around the code for this, I stumbled across a quadratic formula implementation. On closer inspection I discovered that some smart cookie had actually implemented the cannon’s auto-targetting system for real! It actually tracked each asteroid’s velocity and speed and aimed ahead of the target to hit it with its slow-moving projectiles. I just assumed the whole thing would be playing a canned animation faking the cannon shooting at the asteroids. My hat goes off to the programmer that decided to solve that problem - it’s one of the very few times I’ve ever seen the quadratic formula used in gamedev!